For Dassault, with agency Auditoire, Onlyview drove an LED-volume virtual-production stage — the now-standard alternative to green screen, where the set is a giant LED wall playing photoreal backgrounds in real time.
The trick is synchronisation: the content on the wall has to track the camera so the virtual world behind the subject holds perspective and parallax, and the whole thing has to stay frame-locked while it shoots. Onlyview played the content to the volume in sync with the camera, so the set extended seamlessly beyond the frame.
The same media-server discipline that holds a building façade pixel-perfect, turned inward — onto a wall the camera believes is real.