The Grand Palais Immersif is a venue built around a single idea: turn an entire hall into the artwork. Imagery is projected across walls, ceiling and floor until the architecture disappears and the visitor is standing inside the picture.
What makes it a platform rather than a one-off is the programme. Since opening, the venue has run a rotating slate of large-format shows — from Venise Révélée and Éternel Mucha to a street-art immersion, Artificial Dreams, Decoding Korea and Pixels — each created by different studios, including Superbien, on the same technical backbone.
That backbone is Onlyview. The venue is equipped with Onlyview media servers, so successive exhibitions are blended across many projectors and played back frame-accurate on the same engine, show after show. It’s a clean demonstration of what the platform is built for: not a single event, but a permanent immersive space that has to deliver a new production reliably, again and again.
Fascinant ! Fisheye Immersive, on Artificial Dreams
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